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After dinner, Zomato takes you to the movies
Why is Zomato in talks to buy Paytm’s events and tickets business? It’s all about getting intimate with the customer.
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After a rough first year on the bourses, Zomato’s fortunes seem to have changed, at least in public perception. A major reason is the exploding valuation of, and investor interest in the quick commerce business. Zomato’s BlinkIt may now be the more valuable part of the company, bringing in more customers, repeat transactions, and fat margins from in-app advertising.
This year so far, Zomato’s stock price is up more than 62% compared to a 9% bump in the benchmark Nifty 50 Index. Clearly, its valuation as a food and grocery delivery company is on the rise.
So why is it thinking of buying a ticketing and events company?
Zomato Wants New Customer Inroads
First, a recap. Earlier this month, Zomato told investors in a stock exchange filing (pdf) that it was in talks to buy Paytm’s movie ticketing and events business. Per The Economic Times, the transaction could value this business at Rs 1,600-1,700 crore.
Zomato isn’t new to the entertainment business. In 2018, it launched Zomaland, a food and fun carnival that allowed attendees to sample fare offered by its partner restaurants. A year later, it launched Zomato Originals, a set of food-focused web shows streaming on the Zomato app. The company shut that offering down soon enough (read more about Zomato’s entertainment investments in this edition of The Impression). Besides this, Zomato has been building a ticketing vertical within its food ordering app under the ‘Zomato Live’ tab. Among events available to book are comedy shows, live T20 Cricket World Cup screenings, concerts, and even entry tickets to a water park.
Zomato runs its events business under its subsidiary Zomato Entertainment Pvt Ltd, which was set up in 2018, the year it launched its flagship Zomaland. In FY23, per latest available filings, the company made a turnover of Rs 52.9 crore, with losses of Rs 24.5 crore. Zomato Entertainment was a loss-making business in the pre-pandemic years too. In FY20, it made Rs 10.31 crore in total revenue, up nearly 2.5 times year-on-year while its total loss for the period was Rs 5.28 crore, down over 25% year-on-year.
But Zomato isn’t in a hurry to make this profitable. Rather, it wants to see how selling tickets to gigs in a city while programming its own live shows can help it build a ‘going out’ segment beyond its mainstay home delivery business.
“There are two pieces to [the] going-out business segment: dining out business and also, the events and ticketing business (Zomato Live),” Zomato’s chief financial officer Akshant Goyal told investors in a call (pdf) in February this year. “We are in a build-out phase here. The idea is both acquiring restaurants and creating [a] supply of events and onboarding ticketing partners. All of that requires investment.”
Apart from the initial investment in the events vertical, Goyal said the company expected to spend heavily on building a team dedicated to the events business. In the short-term, it’s treating this as an experiment that will run up losses.
“[We expect] the top line, which is measured by GOV [gross order value] here... to continue to grow,” Goyal said. “But both monetisation in terms of revenue growth and eventually profitability growth will take some time and grow with the lag… the amount of commission we charge is not the focus area right now. The idea is to first create a large enough network here of restaurants [for dining out]. And similarly on the event side, a large enough supply of events.”
Make It Large
If the immediate aim isn’t to generate cash, why not ramp up the experiment?
That could explain why Zomato is interested in acquiring Paytm’s events business, comprising ticketing and events production under Insider.in. Company filings show that Wasteland Entertainment, the parent firm of Insider, hasn’t had one profitable year since Paytm acquired it in 2017. Little wonder then that Paytm is keen on offloading as it fights bigger fires in its main payments and loans business.
What this also means is that Zomato or any other potential buyer can drive a hard bargain for the business that contributes little to either Paytm’s topline or bottomline. In FY23, Wasteland Entertainment posted revenue of over Rs 192 crore, up more than 4x from the previous pandemic year, while it made losses worth Rs 19 crore, down by over 25%. In FY18, the company made more than Rs 97 crore in total revenue but posted losses of Rs 10 crore. Paytm spent nearly Rs 150 crore as equity investment in Wasteland Entertainment last fiscal, but the company contributed just about 1% to the company’s bottomline, Paytm’s FY23 annual report shows. Meanwhile, Paytm Entertainment Ltd is an even smaller (but much more profitable) entity, with Rs 4.4 crore in turnover and Rs 3 crore in profit after tax.
Selling tickets and events contributes less than 20% to Paytm’s overall turnover.
For Paytm, which wants to refocus on payments and loans, it makes sense to get rid of anything that can distract it from rebuilding its core business.
While Zomato can get the business at a bargain, it would know that even in the long-term, events aren’t an infinitely scalable, cash-generating business. Consider BookMyShow. In FY23, it made just over Rs 1,000 crore in total revenue with profit after tax worth Rs 85 crore, a slim 8.5% margin. In the previous fiscal – a pandemic year – it was in losses.
For Zomato, the appeal of buying a ticketing and events business isn’t so much in its ability to earn a lot of money. Rather, it will bring a new kind of customer to the app; mostly high-earning and urbane (with spending data), and likely to fit well with the ideal customer profile of Zomato’s existing food delivery, quick commerce, dining, and events business.
As Zomaland has shown, events are a successful way to augment existing lines of business, including food delivery, dining out, and advertising. E-commerce companies worldwide are increasingly chasing revenue from retail advertising, especially now that Amazon has shown it is possible to break through the two-decade long dominance of Google and Meta over the digital advertising business. In the first quarter of 2024, Amazon made $11.8 billion in ad revenue, up more than 24% year-on-year.
For Zomato, events have served as both a brand-building tool and can also help it expand its advertising business, which generally comes with bigger margins. For an aggregator like Zomato, kiosks, sponsorships, and plain-old hoardings at an event are brand new forms of advertising to offer clients (such as restaurants), a rich addition to its existing ad inventory of search results and sponsored posts.
Besides, data on the people attending an event will help Zomato build better insights into its existing (and potential) customer base, helping it become a stronger internet consumer company. Zomato isn’t alone in this endeavour. Last year, beauty retailer Nykaa held its inaugural ‘Nykaaland’ event in Mumbai, featuring partner make-up brands, celebrity make-up artists, and live musical performances. Nykaa co-produced the event with market leader BookMyShow.
As consumer internet companies get serious about the events business, its basic nature will likely undergo a change. So far, companies like BookMyShow and the ‘90s leaders like Percept and WizCraft were valued as event producers that merely generate cash from the shows they organise. For new-age players like Zomato and Nykaa, events will probably act as a marketing and brand-building arm, doubling as rich advertising inventory, and become a funnel for detailed customer data.
Last Scroll Down📲
Scan the big media headlines from the week gone by
Contingency: As Bytedance approaches a January deadline to divest from TikTok’s US arm, American advertisers are planning alternatives fearing a ban on the video app or a decline in its usage, the Financial Times reported.
IP Damaged: More than 25 copyright infringement lawsuits have been filed against AI companies in the US by artists, authors, music labels, news publishers, and other creators so far. The plaintiffs are collectively seeking damages of about $350 million.
Another one: More niche streaming platforms are signing up for bundling deals in India. The latest is Sony Corp’s anime-focused service Crunchyroll.
New toy: Zee Entertainment owner and CEO Punit Goenka acquired single screen theatre company Maverick Media in a personal capacity for an undisclosed amount.
Fresh biz: Big Four media group IPG is in talks with Tata Consultancy Services to sell its Madison Ave digital marketing firm R/GA, best known for its work for Nike, The Wall Street Journal reports.
Trumpet 🎺
Dissecting this week’s viral ‘thing’
This week, India’s market regulator Sebi is holding a board meeting to consider various proposals including a set of guidelines to prevent ‘finfluencers’ from spreading misinformation. Since last year, Sebi has been cracking down against purveyors of hot stock tips, including YouTube and Telegram channels running pump-and-dump schemes, news anchors engaged in front-running, and prominent finfluencers offering derivatives advice without Sebi registration.
But what can Sebi do when a former RBI governor shows up in Telegram and WhatsApp chats offering investment advice?
This week, Raghuram Rajan took to LinkedIn to warn the public against fake videos of him purportedly recommending specific stocks for investment. Some comments on his post suggest the videos looked obviously fake – as is the case with most AI-generated videos – but that novice investors and less savvy viewers could easily be taken in by them.
Curbing AI-generated misinformation is as big a (if not a much bigger) problem for Indian regulators. While Sebi can run a year-long investigation to act against people demonstrably involved in market manipulation, it isn’t in a position to trace the source of deepfakes spreading potentially market moving information. Can the IT Ministry step in effectively? Maybe. It has already been heavily criticised for rather regressive policy proposals to regulate AI.
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